Oneiron

Seven women, all from different countries, stuck in a post-mortem limbo from which there is no escape – except through words and stories

Seven women meet in a white, undefined space seconds after their deaths. Time, as we understand it, has ceased to exist, and all bodily sensations seem to have disappeared.

None of the women can remember what happened to her, or how she got there. Performance artist Shlomith from New York, chief accountant Polina from Moscow, heart transplant patient Rosa Imaculada from Brazil, upper-class Nina from Marseilles who is expecting twins, Wlbgis from the Netherlands, who suffers from throat cancer, Senegalese Maimuna, who dreams of a career as a model, and Austrian teenager, Ulrike. They don’t know each other. They don’t know why they are there – or where they are. In turn they try to remember, to piece together the fragments of their lives, their identities, their lost loves, and to pinpoint the moment they left their former lives behind.

Lindstedt plays with genres from essay to poetry, transitioning from humour to rage – while asking her reader to contemplate the question of death’s inevitability and what follows it. As also in Lindstedt’s acclaimed debut novel Scissors, Oneiron addresses the challenges of communication on several levels.