![](https://crm-api.ahlbackagency.com/static/title/01361cf6-7c85-4354-aa35-56453d806d07.jpg)
Original title: Glöm bort din saknad
Author: Ann-Luise Bertell
Published: 2022
Publisher: Förlaget
Genre: Literary Fiction
Pages: 300
Reading material:
English synopsis
A person can miss someone else so much that they stop seeing the people living right next to them
It is the 1950s, a time of movie stars, but in the muddy villages of Ostrobothnia everything is as it has always been. The Canadian Finn Marlene and her twin sister Susanne only know the plains of Ostrobothnia through what their parents have told them. Now, their family moves back to Finland, but the return to Vöyri is just as bittersweet as setting off from the other side of the Atlantic was, and life doesn’t go exactly as planned. The cows’ hooves freeze to the field, mother’s lipstick, dreams and hats have to stay in a suitcase in the attic, and the job father was offered at the bank never becomes a reality.
Marlene is not a sweet girl like her constantly smiling sister, Susanne. She is curious and wants to find out about everything, like the mysterious places of the Kirksal in the village or how people have children. She sees the bitter war between her parents, feels her own desires rushing in, hears the malicious gossip of their neighbors, and learns the ancient knowledge of her grandmother. However, nobody talks about why, one day, father’s suitcase stands packed and ready.
Yearning is the coming-of-age story of young Marlene and the parallel novel to Longing, which was from the point of view of Marlene’s mother. Bertell’s prose captures the experience of being an immigrant and the thoughts of those who stay quiet, asking how blind one can be when it comes to one’s loved ones.
Bertell’s powerful and effortless narration recounts a family’s experiences, the longing of immigrants, and the challenging relationships between mothers and daughters in a 1950s village in Ostrobothnia.
“YEARNING is like a return to the great stories of great storytellers, but it does not repeat them. Bertell is undeniably sincere in relation to both her predecessors and the present moment. In the midst of a time when we impatiently thirst for something new, she reveals something unique and eternal.”
– Freja Rudels, Åbo Underrättelser newspaper, Finland